Friday, October 26, 2012
Family of political prisoner decries threat, harassment
Thursday, October 25, 2012
November 15 is International Day of the Imprisoned Writer
The Day of the Imprisoned Writer is an annual, international day intended to recognize and support writers who resist repression of the basic human right to freedom of expression and who stand up to attacks made against their right to impart information.
Ericson Acosta is a Filipino poet, journalist, and songwriter who was arrested without warrant on February 13, 2011 in Samar. Military elements
Ericson Acosta is only one of more than 400 political prisoners under the administration of President Benigno Aquino III.
We enjoin all writers, writers' groups, circles and publications to share their advocacy for freedom by composing a piece for the freedom of Ericson Acosta. Put together, our appeals, statements, poems, and other contributions will demonstrate the strength of the worldwide solidarity for the freedom of the imprisoned writer on November 15, 2012. Please spread the word!
Click here for the PEN International appeal for Ericson Acosta's release: and the Philippine PEN resolution to support the campaign to free Ericson Acosta:
Please send copies of your appeals to freeericsonacosta@gmail.co
Friday, May 13, 2011
Bawat Araw ni Bonifacio Ilagan

Isinulat ni Ilagan ang screenplay ng pelikulang "Dukot" sa ilalim ng direksyon ni Joel Lamangan.
BAWAT ARAW
(Kay Ericson Acosta sa kanyang ikatlong buwan sa piitan)
Bawat araw na piitin
ng estado at gobyerno si Ericson Acosta
ay isang araw ng inhustisya.
At isang araw ng paghihimagsik.
Bawat araw na iwalay siya
sa mga anakpawis at pamilya
ay isang araw ng kalupitan.
At isang araw ng paglaban.
Bawat araw na yurakan
ang kanyang mga karapatan
ay isang araw ng pandarahas.
At isang araw ng aklasan.
Bawat araw na piitin
ng estado at gobyerno si Ericson Acosta
ay isang araw ng dalamhati.
At isang araw ng paglikha.
Mag-aklas. Lumaban.
Maghimagsik. Lumikha.
Tumataga sa batuhan
bawat krimen ng kaaway
bawat araw ay bilangin
papalapit sa paglaya.
Thursday, April 28, 2011
Paano Tinutukoy ang Taong -Labas? / How to Identify the ‘Outsider’
Paano Tinutukoy ang Taong-Labas?
ni Richard Gappi
Paano tumukoy ng taong labas?
Una, kung may dala siyang
notebook o laptop habang nasa bundok.
Pangalawa, hindi siya marunong
magsalita sa dila ng mga taga-roon.
Pangatlo, lansihin ang madla
at sabihing mag-isa siyang nahuli
at may hawak na granada
(gayong kasama niya ang isang
opisyal ng barangay at mananaliksik siya
tungkol sa paglabag sa mga karapatang pantao).
Pang-apat, ang panigurado:
kantahin ang katutubong awit
na “Magtanim ay ‘Di Biro”
habang tulad ng bilis
ng kamay ng isang mahikero,
pataksil na isuksok
sa bulsa ang granada na ebidensya
sa jacket ng paparatangan ng
“ILLEGAL POSSESSION OF EXPLOSIVES”.
Tutubo na ang prutas
sa punong makamandag
Kumpleto na ang sangkap
sa pagtukoy sa taong labas.
How to Identify the ‘Outsider’
by Richard Gappi
translation by Marne L. Kilates
How does one identify the ‘Outsider’?
First, if he carries
a notebook or a laptop while in the mountains.
Second, he’s not conversant
with the local language.
Third, make fools of the public
and say he was captured alone,
with a grenade in his hand
(though he was with
a barangay official and he was researching
human rights violations).
Fourth, and the surest:
sing the native song
“Planting Rice is Never Fun”
and, with a magician’s
sleight of hand,
slip the grenade
into his jacket pocket – the evidence –
and accuse him of
ILLEGAL POSSESSION OF EXPLOSIVES.
The poisonous tree
shall bear fruit.
The definition of the Outsider
is complete.
Tuesday, April 26, 2011
Kin, Writers and Artists Launch Campaign for Release of Detained Poet Ericson Acosta

“His works as a writer, poet, thespian, singer and songwriter have remained relevant especially to the succeeding generations of UP activists in and out of the university. His bias for the poor and oppressed dates back to his campus days.”
By INA ALLECO R. SILVERIO
Bulatlat.com
Mrs. Liwayway Acosta is graceful in keeping her pain hidden; but sometimes it becomes too much and tears fall and she struggles to regain her composure.
For over two months now, Mrs. Liwayway and her husband Isaias Acosta and have been worried because their only son, their only child writer and poet Ericson, 37, had been detained and falsely and maliciously charged with illegal possession of firearms in Catbalogan, Samar. Both mother and father are now at the lead of a campaign pressing for their poet-son’s immediate release.
“At least we know that he’s alright and that he’s not being hurt. That was our greatest worry in the beginning. Our son is made of stronger stuff and we know that he’s holding up in prison. This is not the kind of thing that will break Eric,” said Mrs. Acosta.
Mr. Acosta in the meantime is the unashamedly proud father. He even has a list of his only child’s achievements since grade school, and at the drop of a hat can enumerate the various literary, theatrical and scientific awards Ericson has received since he was in shorts and attending grade school in St. Mary’s College,and eventually when he went to the University of Sto. Tomas for his secondary education.
“He has never been anything but a good son, an intelligent student, and a loving parent to his own son Emmanuel,” said Mr. Acosta.
Artists Rally Behind Campaign for Poet’s Release
Two weeks ago, the family and Ericson’s friends and former colleagues officially launched the Free Ericson Acosta campaign in Quezon City. It was a reunion of sorts for Ericson’s friends from his university days, and an event that saw some of the most respected names in the Philippines’ literary circles placing their support behind an artist who chose a path of human rights activism.
At the time when Ericson was arrested [2] earlier last February 13, he was a freelance journalist documenting the human rights situation in Western Samar. He was arrested in the company of various community leaders from farmers’ organization who staunchly defended him and affirmed his work as a writer.
During the campaign launch press conference, Ericson’s former editor-in-chief in the Philippine Collegian Michael John Ac-ac said that the former had true artist sensibilities [3] and that he, Ericson, honed it through the years by voracious reading, prolific writing and by constantly discovering developments in the cultural scene.
Ac-ac remembered how Ericson was able to put together the Philippine Collegian’s 1994 literary folio F1 decades after it was last published. He said that Ericson also liked to write about previously-undiscovered musicians and helped make them popular. Among his “discoveries” were the now defunct but legendary groups Yano and the Eraserheads.
“Ericson always had a lively mind, but he has an even bigger heart It was not surprising that he eventually chose to become a full-time journalist writing about human rights,” said Ac-ac.
In a testimony sent by Palanca-award winning director and actor Rody Vera, he said that Ericson has been acting as early as 1984 and in a Shakepearean play no less. Vera said that he worked with the young Acosta in a production of the Philippine Educational Theater Association (PETA), rendering of the “dreaded Scottish play” Macbeth.
“I’m not sure if Ericson was then aware that he was part of a production that was against the Marcos dictatorship. Ericson was part of a play that exposed Marcos’ selfish greed for power. Now, it’s most saddening to think that that the same machinery of torture, violence and repression that continues to operate against cultural workers like Ericson and the rest of the Filipino people, even if there is no dictator at the helm of government. Now they are wielding violence in the name of democracy. What is even more infuriating is how the violations being committed against Ericson can very well be perpetrated against any and all of us. The restriction of Ericson’s freedom is an attack against our own respective, individual freedoms,” he said.
Members of the UP academe comprised of artists and writers also released a statement calling for Ericson’s immediate and unconditional release from his current “illegal detention.” Panelists and participants in the 50th UP National Writer’s Workshop sent the statement straight from Baguio where the workshop was then being conducted.
“His works as a writer, poet, thespian, singer and songwriter have remained relevant especially to the succeeding generations of UP activists in and out of the university. His bias for the poor and oppressed dates back to his campus days,” they said. The statement was signed by the likes of National Artist Bienvenido Lumbera and writers and poets Jose Dalisay, Jr., Jun Cruz Reyes, Gemino Abad, Gelacio Guillermo, J. Neil Garcia, Charlson Ong, Rolando Tolentino, Romulo Baquiran Jr. and Cristina Pantoja-Hidalgo.
Other supporters of the Free Ericson Acosta Campaign also include veteran actors Fernando “Nanding” Josef, Pen Medina, and Bonifacio Ilagan; poet Richard Gappi of the Neo-Angono Artists’ Collective and former political detainee Axel Pinpin of the Tagaytay 5; visual artists Egai Talusan Fernandez, Boy Dominguez, Mideo Cruz, and Julie Lluch; filmmakers Sigfried Barros Sanchez, Kiri Dalena, Carlitos Siguion-Reyna and Bibeth Orteza; poet and musician Jess Santiago, rock musicians Chickoy Pura of The Jerks and Eric Cabrera of Datu’s Tribe, and journalists Elizabeth Lolarga, Kenneth Guda, Norman Bordadora, Kristine Alave and Iris Pagsanjan.
Former Cultural Center of the Philippines (CCP) Vice President and Artistic Director Josef pointed out that the government under the Benigno Aquino III administration is challenged to be different from its predecessors. He said that it must free those whose only crime is serving the least serve, and that it must “Jail without delay those who have greedily taken away food on the table of the poor.”
“I know Ericson Acosta personally as a cultural worker. I am humbled by his sacrifices and his commitment to the poor. My accomplishments as an artist and cultural worker are nothing compared to his,” Josef said.
Secretary-general of the Bagong Alyansang Makabayan (Bayan) Renato Reyes shared what happened during his recent visit to Ericson at the Calabayog provincial jail. According to him, Ericson was in “high spirits” and that the poet was grateful for all the support he was getting.
During the short visit, Reyes and Ericson recorded a few songs on a digital camera and the recordings have since been uploaded on Facebook and in the Free Ericson Acosta blog, http://freeacosta.blogspot.com.
Reyes said that there were plans to visit Ericson on or before his birthday this May 27 and that friends and supporters were very welcome to join. He also reminded supporters to contribute to the legal fund for Ericson.
The Father-In-Law Speaks
Ericson’s father-in-law art critic Pablo Tariman has come out with a series of articles pressing for Ericson’s release, and in some of them he shared how he managed to explain to his grandson eight-year old Emmanuel the circumstances of his father’s detention. The boy had begun to ask questions about who was in jail and why did he keep on hearing lawyers and court hearings in his grandfather’s phone conversations.
“I told him gently his father is closely guarded by soldiers and he couldn’t move around. I tried to avoid the words ‘arrest’ and ‘jail’. At age 8 and entering grade 3 only this coming school year, there are many things I couldn’t explain well to my grandson,” he said.
Mr. Tariman has also told Emmanuel that he can visit his father in that Samar jail before his father’s birthday.
"In my mind, this cultural worker (who happens to be my son-in-law) doesn’t deserve the hot summer nights in a Calbayog provincial jail,” he said.
The respected art critic has put together a fundraising concert for his son in law. Violinist Gina Medina and pianist Mary Anne Espina will perform on Saturday, May 28, 2011, 6 p.m. at the Balay Kalinaw in UP Diliman, Quezon City. Tickets are being sold at P1000 (US$23.35 with buffet dinner) and P500 (US$11.62 concert only).
The Government’s Iron-Fist Policy on Perceived Enemies
In its support statement, the Free Ericson Acosta Campaign has said that the poet’s rights continue to be violated each day he remains incarcerated.
“The fabricated charges are intended to keep him under government’s control and scrutiny. His frail appearance in the photo released to media by the AFP heightens concerns for his health given the conditions in jail. The road to genuine and lasting peace cannot be paved with government’s continued iron-fist policy of arresting its perceived enemies on mere suspicion. It behooves the Aquino government to forge favorable conditions in the conduct of its peace efforts by releasing political prisoners,” it said.
After its ascent to power, the Aquino government has begun peace negotiations with the National Democratic Front of the Philippines (NDFP), but it has not taken action on calls for the release of political prisoners.
According to human rights groups Karapatan and Samahan ng Ex-Detainees Laban sa Detensyon at Aresto (Selda), there are 344 political prisoners [4] in the country. Most of them have been slapped with common crimes, a violation of the Hernandez political doctrine.
Ericson himself has written a personal message addressed to his supporters. He admitted that he has, understandably, some difficulty writing whenever the enormity of his current circumstance strike him anew, but on the whole he remains optimistic.
“I have already received and read most of what have been written about me since my arrest. These have given me a clear picture of how promptly friends and comrades have actively taken my cause, and how in a short period of time the Free Ericson Acosta Campaign has reached quite an extensive base of support. I am of course sincerely touched by all this. I have long been wanting to communicate with them through letters or general statements, not only to thank them but also to personally shed light on my experience with state fascism,” he said.
Ericson said that he has succeeded in writing a piece on the human rights situation in Samar as well as a full account of his arrest and continuing detention. He said that he is now even more encouraged to continue writing despite the sorry conditions he currently faces in prison.
“My active engagement through my writings naturally serves to effectively amplify the campaign, as well as the general call to free all political prisoners. While I am in fact the principal subject of the Free Ericson Acosta campaign, it’s time that I enlisted myself as its principal mass leader and propagandist as well,” he said.Monday, April 25, 2011
Hagulgol ng Gubat

ni Richard Gappi
In brutal retaliation for the Balangiga attack, villages were set on fire, crops were destroyed, and thousands are believed to have died.
I.
...
Ngayon ay labingsiyam at isa.
At dito sa aking tahanan, langit man
ay naliligalig, ayaw tumahan.
Nasasaid ang aking lakas
upang bigyan pa ito ng ibang pangalan.
Maliban sa impiyerno, impiyernong katahimakan
ang nakaratay sa lupa.
Sa maraming taon,
nakaukit sa kanyang mga puno at bundok
ang kanyang pangalan.
Ito ang Samar!
Sa maraming taon,
ibinubulong ng hangin at dalampasigan
ang kanyang pangalan.
Ito ang Samar!
Ito ang Samar!
Ngayon ay labingsiyam at isa.
At dito sa aking tahanan,
ang nakahimlay na kapayapaan
ay nakaukit sa lapida ng mga namatay.
II.
Tag-araw at totoong walang nakadapong halumigmig.
Ngunit nangangaligkig ako,
sukol ako ng aking mga tadyang at gulugod;
Pilit kong nilalabanan ang ‘di mabatid
na sumpang lamig mula sa Kanluran.
Tila ako isang batang sumisinghap,
nalulunod sa bangungot, nagpupumiglas na makakawala
sa malawak na kamay ng dagat,
o sa sikmura ng sinaunang kuweba,
o sa pagkakalingkis ng bolang apoy.
Tila ako isang langong pulpito na natutuliro,
mag-isang naglalakbay sa puso
ng gabi habang nasa kamposanto.
Ngunit hindi ito sementeryo -
wala ritong krus na nakatundos sa mga hungkag na hukay.
Walang punong santol na magsisilbing lilim
at pahingahan ng mga nagluluksa -
mga naulilang umaasa sa ulan,
pang-ampat sa nakatalukbong na init ng araw.
Sapagkat dito, isang dambuhalang lapida ang buong Isla.
Isang malawak na kamposanto itong arkipelago sa Asya.
Sapagkat dito, hindi tubig ang pumapatak na ulan
kundi mga bala mula sa bunganga ng Springfield.
Sapagkat dito, lamon ng Bolang Araw ang Sandaigdigan.
III.
Kaya ngayon, nagpasya akong maging isang panakot-uwak.
Kahit batid kong ni hindi mapapadako rito ang ulilang mayamaya
Kahit batid kong wala ritong madadagit na palay.
Lupa lamang ang narito na pinagyayaman.
Hindi ng init ng mga bulkan
kundi ng malalamig na bangkay.
Lupa lamang ang naritong patunay sa halubigat na nasa aking talampakan.
Lupa lamang ang narito na patuloy kong tutungtungan -
Hanggang maulinigan ko ang pinakamatining
na ungol, iyak, at sigaw ng humahagulgol na gubat --
kung saan naroon ang aking mga kasama at mahal sa buhay.
Na ang mga nalasog na buto ay tumatabing sa ‘di ko na masipat na panginorin;
Na ang mga natadtad na katawan ay simpatag ng gubat;
Na ang mga nabubulok na katawan ay tumatabon sa dating mga palayan -
isang tanawin ito, Oo, isang tanawin na higit pa sa kumunoy
na kailan man naisip ay kong hindi sasagi sa alamat ng aking nawalang kabataan.
Lupa lamang ang naritong patunay sa halubigat na nasa aking talampakan.
Lupa lamang ang narito na patuloy kong tutungtungan -
Hanggang dumating ang pagkakataon
na umawit ang sanggol sa aking sinapupunan,
at sabihin sa akin na ito,
ito na ang panahon upang humakbang ang panakot-uwak,
tunguhin ang dalampasigan ng Dagat Pasipiko
upang doon, maging isang ulilang mayamaya -
habang sinusukat ng pakpak ang lawak ng dagat
at humapon sa buhanginan ng dalampasigan.
At iluwal
Siya, siya na hindi ko kilala ang ama.
Siya na hindi ko mapagsino ang mukha ng kanyang ama.
Ngunit bakit, bakit kailangan ko pang alamin…
Siya, na isa lamang ang ari ng kanyang ama
sa lima o limampung ari ng puti na hindi tuli.
Ngunit walang pakundangang
sinalit-salit ang aking Malayong katauhan.
Sa bawat sibat, sa bawat diin, sa bawat pagwakwak -
Bawat igkas, bawat siklot, ang bawat pagsabog ng apoy
ay tila mga dambuhalang kamay,
nilalamutak ang aking sinapupunan, sinasakmal ang kalamnan.
Huwag nang banggitin pa
ang lunggati ng aking kaluluwa;
Kung totoo ngang
itong kaluluwa ang tanging ikinaiiba
ng babae at ng butas,
o ng lalaki at ng tagdang yari sa Amerika.
IV.
Oo aking anak.
Sasabihan ko kung sino man ang iyong ama.
Oo aking anak.
Sapagkat ikaw ang aking kaluluwa.
Ikaw ang aking pangalan at awit -
Ikaw ang aking kapayapaan!
Sapagkat kapwa kamatayan at paghihiganti ang kapayapaan.
At sa atin, dito sa Samar! Dito sa buong kapuluan!
Higanti ang makatarungang Himagsikan.
Ito ang aking natutuhan. Ito ang ituturo ko sa iyo.
At ito ang ating ibabanyuhay sa buong Samar.
Ito ay tula na isinulat ni Richard Gappi para sa dulang "Samar" ng UP Alay Sining. Nagsimula ang konsepto ng dula mula sa isang tula sa Ingles na isinulat ni Ericson Acosta at isinalin sa Filipino ni Richard Gappi.

