Showing posts with label Poetry. Show all posts
Showing posts with label Poetry. Show all posts

Thursday, March 26, 2015

Launch of Ericson Acosta's "Mula Tarima Hanggang"













Mula Tarima Hanggang at iba pang mga tula at awit
Benefit Book Launch, Poetry Reading & Jam for the country's more than 500 political prisoners

April 16, 2015  | Thursday, 4 PM
UP Main Library, University of the Philippines

Diliman, Quezon City
 
Mula Tarima Hanggang at iba pang mga tula at awit by Ericson Acosta will be sold at a special launch price of Php 350 (Regular Price Php 400). Part of the proceeds will go to the campaign to Free All Political Prisoners in the Philippines.

To reserve copies of the book, please email freeericsonacosta@gmail.com | contact 09299562333 | or send a Facebook message to the Free Ericson Acosta page.


Click the link to view the Facebook event page for the Launch of Ericson Acosta's "Mula Tarima Hanggang"





Monday, January 21, 2013

COMPEL THE DOJ TO FREE ERICSON ACOSTA NOW!


PHOTO: Ericson Acosta with 79-year-old father Isaias Acosta, who is also undergoing treatment for a spinal ailment. Watch the video here: http://youtu.be/K0E0EHyTFVk

Poet-songwriter Ericson Acosta, detained for 23 months at the Calbayog sub-provincial jail in Samar on trumped-up criminal charges, is undergoing medical treatment at the National Kidney and Transplant Institute (NKTI) through a court order.

ERICSON ACOSTA IS STILL NOT FREE. His Petition for Review, citing serious irregularities and human rights violations in the conduct of his arrest and detention, has been pending before the Department of Justice for more than a year.

Almost two years have passed since his illegal arrest on February 13, 2011 -- there is still no immediate favorable resolution in sight for Ericson's review petition. We need to urge DOJ Secretary de Lima to drop the trumped-up charges against Ericson Acosta.

The government is not obliged to shoulder his medical expenses at the National Kidney Transplant Institute (NKTI) since his medical check-up was granted by the court on account of a motion prepared by Ericson's lawyers.

Ericson's family needs to raise a substantial amount of money to cover his medical expenses, over and above his parents' who are themselves currently undergoing medical treatment for various ailments.

The Free Ericson Acosta Campaign enjoins your support in this very challenging phase of our campaign to free activist poet Ericson Acosta and all political prisoners.

FREE THE ARTIST!
FREE ERICSON ACOSTA NOW!

HOW YOU CAN HELP

You may deposit your financial support may to this account:

Isaias Acosta
BDO The Block
SM City North branch
Savings Account # 0251065464

For international donations:

Isaias Acosta
BDO The Block
SM City North branch
Savings Account: 00-0251065464
Routing #: 021000089
Swiftcode: BNORPHMM

WRITE TO DOJ SECRETARY TO PRESS FOR ERICSON'S IMMEDIATE RELEASE


You may use this template to write to Secretary Leila de Lima:

____________________________________________________


Secretary Leila de Lima
Department of Justice
Padre Faura Street, Manila
PHILIPPINES



Secretary de Lima,


Ericson Acosta is a poet and cultural worker. He has dedicated his life to serving the people. He was arrested without warrant February 13, 2011 while conducting human rights research in Barangay Bay-ang, San Jorge, Samar. He was brought to a military camp where he was interrogated and tortured for three days, before he was levied with a trumped-up charge of illegal possession of explosive to justify his arrest and continued detention.

His arrest, torture and almost two years in detention have resulted in the deterioration of his health. After Ericson's current medical treatment at the National Kidney and Transplant Institute, it will be unacceptable and lamentable for him to recover only to be brought back to the Calbayog Sub-Provincial Jail. We must put an end to this mockery of justice.

As citizens longing for justice, we await your prompt action on the Petition for Review of Acosta's case filed by his counsel, the National Union of Peoples' Lawyers (NUPL) before the DOJ in September 2011. We respectfully urge your honorable office to set aside the earlier resolutions of the local prosecutor in Samar, and to effect Acosta's release with the withdrawal of the fabricated complaint against him as soon as possible.

Sincerely yours,


Name______________________

Address____________________


____________________________________________________


FREE THE ARTIST! FREE ERICSON ACOSTA NOW!

Sign the online petition at change.org

http://www.change.org/petitions/release-detained-filipino-artist-ericson-acosta-now

Monday, February 27, 2012

"Sipat" from Pitong Sundang


"Sipat" based on a poem by Ericson Acosta. Music by Acosta Universe, arranged by Dibayn Leaño and JM Diego of Los Indios Bravos for the Sinagbayan dance production of Pitong Sundang staged at the University of the Philippines.





Ikatlong Sundang: SIPAT


Sinisikap nating maya’t maya ay sipatin

kung gaano pa katuwid, pantay at pasulong

ang talim at gulugod ng ating mga sundang.

Itinutok ko ito sa langit isang araw

at tulad ng manunudla ng kalaw o pipit

akin ngang ipinikit ang kaliwa kong mata.

At sa aking asinta ay mayroong tumawid:

mandi’y tutubi— dambuhala at de-makina.

Milyong sundang ang tinunaw nang ito’y hinulma,

sabi ng tao, at ang tae nito ay apoy.



Third Dagger: Perspective



At times we tried to see

how straight, even, and pointed

our dagger’s edge and spine were.

I aimed it at the sky one day

and like the archer of hornbills and sparrows

I shut my left eye.

Then something appeared in my crosshairs:

a dragonfly it seemed—massive and motorized.

A million daggers are melted to make it,

the people said, and its shit is fire.


(Translated by Charlie Veric)

Monday, December 12, 2011

Isang Minutong Katahimikan



"Isang Minutong Katahimikan" is a song on impunity and extra-judicial killings written by artist and political detainee Ericson Acosta. Performed by human rights lawyer and musician Pochoy Labog (of Dicta License/Malay) and BAYAN Secretary General Renato Reyes, Jr.

Monday, November 7, 2011

Pambihira



Ericson Acosta sings his song "Pambihira" with his son on guitar at the Samar sub-provincial jail in Calbayog City.

Pambihira
Written by E. Acosta

Intro: G

I
G
Kung sakali mang mapagpasyahan kong D Em C
Di na muna tumanda, pwede kaya?
G
Kung sakali mang mapaglibangang D Em Bm
Humugis ng paso sa pusod ng dagat

Chorus
Bm C Bm
Magtagumpay kaya ako C G
Sa mga pambihirang panukala kong ito?
G C G
Hmmmmm...
G C
Malamang ay hindi
G C G
Hmmmmm...
G
Malamang ay hindi

II
Kung sakali mang ang kahilingan ko'y
Maisilang na muli, ano nga bang mali?
Kung sakali mang mangailangan
Ng yelong galing sa bunganga ng bulkan

Repeat Chorus

Ad lib
G --, E -- E7

III
A F#m
At kung sakaling aking masuri
A
Mga utos ng hari F#m
Kailangang mabali na ngayon

Chorus 2
C#m D C#m
Magtagumpay kaya ako D A
Sa mga pambihirang panukala kong ito?
A D A
Hmmmm
A D
Di pwedeng hindi
A D A
Hmmmm
A D
Di pwedeng hindi


Peculiar

If I ever decide to stop growing old / Could it happen? / If I ever fancy making pottery in the depths of the sea / Could I pull off these peculiar schemes? / Perhaps not / Perhaps not

If I ever ask to be reborn / What could be wrong? / If I ever require ice from a volcano's mouth / Could I pull off these peculiar schemes? / Perhaps not / Perhaps not

And suppose I conclude / We must now break a tyrant's wishes and whims / Can I pull off these peculiar schemes?

There's no way I can't / There's no way I can't

Tuesday, September 20, 2011

Detained artist sings for freedom in “Prison Sessions”


Ericson Acosta and Renato Reyes Jr (Sept. 20, 2011)

In the tradition of imprisoned artists like Francisco Balagtas, Jose Rizal, Amado V. Hernandez, detained cultural worker Ericson Acosta is writing…and singing, for his freedom.

Together with Bayan secretary general Renato Reyes, Jr, Acosta has recorded two albums worth of songs called “Prison Sessions,” all done while in detention at the Calbayog Sub-provincial Jail in Samar.

Acosta has been in detention for more than seven months now. He was arrested last February 13 in San Jorge, Samar by members of the Armed Forces of the Philippines. He was unarmed at the time of his arrest and only had a laptop in his possession. However, that was enough to get him arrested, even if the soldiers were not able to open the contents of the computer. Acosta was brought to a military camp and subjected to continuous interrogation. After two days, he was brought to a police station. A total of 72 hours passed from the time of his arrest before formal charges were filed with a prosecutor. He was charged with illegal possession of explosives.

Acosta has since filed a petition for review wth the Department of Justice. His arraignment was deferred yesterday pending resolution of the DOJ review.

Acosta was a former cultural editor of the UP’s Philippine Collegian, assistant section editor at the Manila Times, and a UP student leader. He is a poet, thespian, playwright and singer/composer. A Free Ericson Acosta Campaign has been launched to help in his legal defense.

While imprisoned artists in the past would have to smuggle out their manuscripts on pieces of paper to be able to reach their target audience, Acosta’s Prison Sessions recordings reach their audience via Facebook and Twitter. The recordings are also downloadable. Aside from recordings, Acosta also maintains a blog which contains his prison writings.

"Prison Sessions 1" was recorded on April 6, 2011 while “Prison Sessions 2” was recorded on September 20, in time for the anniversary of the declaration of Martial Law. The songs were recorded "live and raw", with no special effects, just voice and guitar.

Acosta and Reyes first played together at the fourth floor of UP's Vinzons Hall in 1994, during their student activist days. Both were members of the student cultural group Alay Sining and wrote several of the songs still being performed by the group today.

The recordings are intended to raise awareness of the situation Acosta and other political prisoners who remain unjustly detained by the Philippine government. There are more than 360 political prisoners in the Philippines today, according to human rights group Karapatan.

“Prison Sessions” contains original songs on various social issues. Acosta also covered songs by artists like Binky Lampano (I read the news), Tambisan sa Sining (Patay na ang kabayo), Jess Santiago (Halina) and the Eraserheads (Kailan).

Listen to Prison Sessions here:
http://soundcloud.com/natoreyes/sets/prison-sessions-2-ericson/

http://soundcloud.com/natoreyes/sets/prison-sesssions-ericson/

Prison Sessions 2 recorded at Calbayog Sub-provincial Jail on September 20, with detained cultural worker Ericson Acosta and BAYAN Secretary General Renato Reyes, Jr.

Tracks:

Kay Hirap ng Buhay (Reyes / Alay Sining)

Halina (Jess Santiago)

Kailan (Eraserheads)

Paalam (Acosta / Alay Sining)

Balang Araw (Acosta / Alay Sining)

Duyan (Acosta / Acosta Universe)

Pambihira (Acosta / Acosta Universe)


"Isang mintuong katahimikan" is an unfinished song written by Ericson inside the detention facility. It is a song about extrajudicial killings, a harsh reality in Eastern Visayas where Ericson is detained.

Wednesday, August 17, 2011

Paalam performed by Nato Reyes, Sarah Katrina, Aki Merced, & BLKD. Featuring ET

Paalam performed by Nato Reyes, Sarah Katrina, Aki Merced, & BLKD. Featuring ET from Ryan Leano on Vimeo.


Paalam (Farewell, but with the intention of seeing each other again) is a song written by Ericson Acosta, an artist, journalist, and cultural worker who is currently illegally detained by the Philippine government on trumped-up charges of illegal possession of explosives. This is one of many songs written by this beloved freedom fighter. This was recorded during my most recent trip to the Philippines. Free All Political Prisoners!

Wednesday, August 3, 2011

Haranang Bayan by Nato and Sarah

Haranang Bayan performed by Nato Reyes and Sarah Katrina from Ryan Leano on Vimeo.


Video of July 13 performance of "Haranang Bayan" at the Haranang Bayan 3 event at the Backdoor Blues Cafe, Kalayaan Ave., QC., sponsored by Karatula and the Philippine Collegian.

Thursday, July 28, 2011

Marikit Sings "Dahil"



13-year old Marikit Saturay sings Ericson Acosta's "Dahil" during the Free the Artist Solidarity Dinner held last July 13 in Utrecht, the Netherlands.

Friday, May 27, 2011

Monday, May 16, 2011

Philippines: Political Prisoner Writes Online Prison Diary

by Karlo Mikhail Mongaya in Global Voices

A Filipino artist, journalist and activist who is being detained by Philippine authorities has created a blog to document his prison experience and reflections. His family, friends, fellow artists and writers, and supporters from civil society have also been using the net to campaign for his freedom.

Ericson Acosta was about to ride a motorized boat heading for the rural town of San Jorge in the eastern Philippine island of Samar on February 13, 2011 when he was arrested by elements of the Armed Forces of the Philippines. Amusingly, Acosta’s captors took issue with his bringing a laptop while travelling in the countryside. Their accusation that he was a ranking leader of the underground communist movement, however, is no laughing matter.

The number of victims of extrajudicial killings in the region reached 126 while 27 became desaparecidos (disappeared persons) in the region under the previous administration of Gloria Macapagal-Arroyo. Acosta was writing a Human Rights situationer on the region at the time of his capture.

The military subjected Acosta to tactical interrogation and charged him of illegal possession of explosives. Civil society groups, writers, artists, his family and friends have decried these allegations as trumped-up and called for his unconditional and immediate release.

Acosta remains detained at the Calbayog City sub-provincial jail, also in Samar. According to the human rights alliance KARAPATAN, Acosta is one more addition to the 353 political prisoners languishing in Philippine prisons as of December 30, 2010.

Campaigns calling for the release of all political prisoners in the country have been a regular feature of the political scene since the times of the Marcos dictatorship. The ruling party has long made it a practice to harass, intimidate, and even kill government critics and social activists working for more equitable distribution of wealth and the empowerment of the poor.

One of the new things about the campaign for the freedom of Ericson Acosta is the extensive and creative use of online tools in the advocacy. Unlike Italian philosopher Antonio Gramsci, who would have to wait for almost three decades until his Prison Notes can be published, Ericson Acosta’s own prison diaries are regularly posted online at acostaprisondiary.blogspot.com.

The Jailhouse Blog contains Acosta’s experiences in prison like the entry written last April 13:

I suppose I’m still basically ill-adjusted with my present prison set-up. I find it almost impossible to write during the day. The heat inside the cell is simply oppressive – there is no ceiling here, the lone window is less than a square foot, and my tarima is just beside two charcoal stoves that burn non-stop. The noise outside and the frenzied – sometimes juvenile, sometimes zombie-like goings on among my 12 kakosas (fellow prisoners) inside a stifling, cramped-up space are just too distracting, disorienting.

Or the entry written last April 17:

In many ways, dalaw (visit), hangin (wind) and great expectation are all quite synonymous as far as the inmates here are concerned.

The visiting area or dalawan is almost three times the space of any of the regular cells. It also functions and is interchangeably referred to around here as pahanginan. Once a week, each cell group, composed of twelve inmates on the average, gets the chance to lounge here for a few hours. The idea is to somehow experience breathing – not necessarily fresh but simply – air. There’s almost an extreme absence of oxygen inside the cells, especially between 10:00 am and 3:00 pm. And so the weekly pahangin is such a gracious respite the inmates anticipate with excitement much like waiting for a scheduled dalaw.

The blog also features Acosta’s prison reflections:

Yet prior to my illegal arrest and detention, I had long and pretty much accepted that, for all its intents and purposes, I had already been a rather obscure, almost estranged member of this community. This had been a consequence among the many trade-offs, so to speak, in choosing to work fulltime in the anti-feudal, anti-fascist and cooperative movement of poor peasants and farm workers in the countryside.

Being uprooted from one’s immediate and familiar milieu was, in fact, a sacrifice of considerable weight… There was romance to it too, of course, and as a poet, nothing of the earthy images of ricefields and barefoot children, nor the primal sounds of crickets and crows ever escaped me. There would be times, however – and these I think were moments of lucid self-appraisal – when it seemed as if I had somehow escaped poetry.

And poems written by Acosta while in jail are also posted in this same prison blog.

Apart from putting up the online prison diary, the organizers of the Free Ericson Acosta Campaign also came up with an online petition. They also posted a Facebook page that has so far taken 788 likes as of this writing.

Backing for the campaign to free Acosta continues to grow as proven by the growing number of statements, testimonies, and other articles compiled in the campaign blog freeacosta.blogspot.com.

The struggle for freedom by Acosta and other political prisoners in the Philippines continues.

Sunday, May 15, 2011

Alab Ng Pluma


Sa kadakilaan ng adhikain

ng makapangyarihan mong pluma,

iminumulat ang masa

sa bawat likha nitong obra.


Sa iyong mga tula,

tinatablan sila.

Kanilang ninanamnam

ang bawat mong salita.


"Pagkat para saan ang makata?

Para saan ang tula?

Kundi rin lang malaya,

At hindi nagpapalaya"


Pluma at paninindigan

ang tangi mong tangan.

Ito ang iyong sandatang

pantapat sa armas ng kalaban.


Ang mga hinabi mong kataga

ay higit na mapaminsala

higit pa sa bala ng kalaban

o anumang sandata.


'Pagkat mamatay ma't mawala

ang isang makata,

libu-libong tulog na diwa na

ang ginising ng kanyang tula.


Ang makata'y dinakip,

binusalan ang bibig.

Diwa niyang makabayan

pilit sinasagkaan.


Ngayon makata'y detenido,

nasa madilim na yugto.

Isang malamlam na lampara

ang tangi niyang kasama.


Ngunit sa taglay nitong apoy

lagablab ng diwa'y dadaloy.

Tula niya'y magpapatuloy.

'Di pansin ang panaghoy.


Maalab niyang panitikan

pilit man nilang sugbaan

patuloy na magniningas,

muli't muling babalikwas.


Ngayon makata'y detenido

tinanggalan ng laya

Pero kailanma'y 'di sumuko.

Ni minsan "di nanghina.



-Grobyas Magdiwang

Alay kay Ericson Acosta

ika-8 ng Mayo, ika-pito ng gabi

Friday, May 13, 2011

Bawat Araw ni Bonifacio Ilagan

Si Bonifacio Ilagan sa screening ng "Dukot" sa The Netherlands.
Isinulat ni Ilagan ang screenplay ng pelikulang "Dukot" sa ilalim ng direksyon ni Joel Lamangan.


BAWAT ARAW


(Kay Ericson Acosta sa kanyang ikatlong buwan sa piitan)


Bawat araw na piitin

ng estado at gobyerno si Ericson Acosta

ay isang araw ng inhustisya.


At isang araw ng paghihimagsik.


Bawat araw na iwalay siya

sa mga anakpawis at pamilya

ay isang araw ng kalupitan.


At isang araw ng paglaban.


Bawat araw na yurakan

ang kanyang mga karapatan

ay isang araw ng pandarahas.


At isang araw ng aklasan.


Bawat araw na piitin

ng estado at gobyerno si Ericson Acosta

ay isang araw ng dalamhati.


At isang araw ng paglikha.


Mag-aklas. Lumaban.

Maghimagsik. Lumikha.

Tumataga sa batuhan

bawat krimen ng kaaway

bawat araw ay bilangin

papalapit sa paglaya.

Friday, April 29, 2011

"Pasensya" by Mga Anak ni Aling Juana

Para sa mga manggagawa ngayong Mayo Uno!

Ang "Pasensya" ay isinulat nina Mary Jane Alejo at Ericson Acosta, at tinugtog dito ng bandang Mga Anak ni Aling Juana.

Thursday, April 28, 2011

Paano Tinutukoy ang Taong -Labas? / How to Identify the ‘Outsider’

<!--[if gte mso 9]> Normal 0 false false false EN-US X-NONE X-NONE MicrosoftInternetExplorer4


Paano Tinutukoy ang Taong-Labas?


ni Richard Gappi


Paano tumukoy ng taong labas?

Una, kung may dala siyang

notebook o laptop habang nasa bundok.

Pangalawa, hindi siya marunong

magsalita sa dila ng mga taga-roon.

Pangatlo, lansihin ang madla

at sabihing mag-isa siyang nahuli

at may hawak na granada

(gayong kasama niya ang isang

opisyal ng barangay at mananaliksik siya

tungkol sa paglabag sa mga karapatang pantao).

Pang-apat, ang panigurado:

kantahin ang katutubong awit

na “Magtanim ay ‘Di Biro”

habang tulad ng bilis

ng kamay ng isang mahikero,

pataksil na isuksok

sa bulsa ang granada na ebidensya

sa jacket ng paparatangan ng

“ILLEGAL POSSESSION OF EXPLOSIVES”.

Tutubo na ang prutas

sa punong makamandag

Kumpleto na ang sangkap

sa pagtukoy sa taong labas.



How to Identify the ‘Outsider’


by Richard Gappi

translation by Marne L. Kilates


How does one identify the ‘Outsider’?

First, if he carries

a notebook or a laptop while in the mountains.

Second, he’s not conversant

with the local language.

Third, make fools of the public

and say he was captured alone,

with a grenade in his hand

(though he was with

a barangay official and he was researching

human rights violations).

Fourth, and the surest:

sing the native song

“Planting Rice is Never Fun”

and, with a magician’s

sleight of hand,

slip the grenade

into his jacket pocket – the evidence –

and accuse him of

ILLEGAL POSSESSION OF EXPLOSIVES.

The poisonous tree

shall bear fruit.

The definition of the Outsider

is complete.



from theelectricmoonsoonmagazine

Monday, April 25, 2011

Hagulgol ng Gubat


ni Richard Gappi


In brutal retaliation for the Balangiga attack, villages were set on fire, crops were destroyed, and thousands are believed to have died.

I.
...
Ngayon ay labingsiyam at isa.
At dito sa aking tahanan, langit man
ay naliligalig, ayaw tumahan.
Nasasaid ang aking lakas
upang bigyan pa ito ng ibang pangalan.
Maliban sa impiyerno, impiyernong katahimakan
ang nakaratay sa lupa.
Sa maraming taon,
nakaukit sa kanyang mga puno at bundok
ang kanyang pangalan.
Ito ang Samar!
Sa maraming taon,
ibinubulong ng hangin at dalampasigan
ang kanyang pangalan.
Ito ang Samar!
Ito ang Samar!
Ngayon ay labingsiyam at isa.
At dito sa aking tahanan,
ang nakahimlay na kapayapaan
ay nakaukit sa lapida ng mga namatay.

II.

Tag-araw at totoong walang nakadapong halumigmig.
Ngunit nangangaligkig ako,
sukol ako ng aking mga tadyang at gulugod;
Pilit kong nilalabanan ang ‘di mabatid
na sumpang lamig mula sa Kanluran.
Tila ako isang batang sumisinghap,
nalulunod sa bangungot, nagpupumiglas na makakawala
sa malawak na kamay ng dagat,
o sa sikmura ng sinaunang kuweba,
o sa pagkakalingkis ng bolang apoy.
Tila ako isang langong pulpito na natutuliro,
mag-isang naglalakbay sa puso
ng gabi habang nasa kamposanto.

Ngunit hindi ito sementeryo -
wala ritong krus na nakatundos sa mga hungkag na hukay.
Walang punong santol na magsisilbing lilim
at pahingahan ng mga nagluluksa -
mga naulilang umaasa sa ulan,
pang-ampat sa nakatalukbong na init ng araw.
Sapagkat dito, isang dambuhalang lapida ang buong Isla.
Isang malawak na kamposanto itong arkipelago sa Asya.
Sapagkat dito, hindi tubig ang pumapatak na ulan
kundi mga bala mula sa bunganga ng Springfield.

Sapagkat dito, lamon ng Bolang Araw ang Sandaigdigan.

III.

Kaya ngayon, nagpasya akong maging isang panakot-uwak.
Kahit batid kong ni hindi mapapadako rito ang ulilang mayamaya
Kahit batid kong wala ritong madadagit na palay.

Lupa lamang ang narito na pinagyayaman.
Hindi ng init ng mga bulkan
kundi ng malalamig na bangkay.

Lupa lamang ang naritong patunay sa halubigat na nasa aking talampakan.
Lupa lamang ang narito na patuloy kong tutungtungan -

Hanggang maulinigan ko ang pinakamatining
na ungol, iyak, at sigaw ng humahagulgol na gubat --
kung saan naroon ang aking mga kasama at mahal sa buhay.
Na ang mga nalasog na buto ay tumatabing sa ‘di ko na masipat na panginorin;
Na ang mga natadtad na katawan ay simpatag ng gubat;
Na ang mga nabubulok na katawan ay tumatabon sa dating mga palayan -
isang tanawin ito, Oo, isang tanawin na higit pa sa kumunoy
na kailan man naisip ay kong hindi sasagi sa alamat ng aking nawalang kabataan.

Lupa lamang ang naritong patunay sa halubigat na nasa aking talampakan.
Lupa lamang ang narito na patuloy kong tutungtungan -

Hanggang dumating ang pagkakataon
na umawit ang sanggol sa aking sinapupunan,
at sabihin sa akin na ito,
ito na ang panahon upang humakbang ang panakot-uwak,
tunguhin ang dalampasigan ng Dagat Pasipiko
upang doon, maging isang ulilang mayamaya -
habang sinusukat ng pakpak ang lawak ng dagat
at humapon sa buhanginan ng dalampasigan.

At iluwal

Siya, siya na hindi ko kilala ang ama.

Siya na hindi ko mapagsino ang mukha ng kanyang ama.
Ngunit bakit, bakit kailangan ko pang alamin…

Siya, na isa lamang ang ari ng kanyang ama
sa lima o limampung ari ng puti na hindi tuli.
Ngunit walang pakundangang
sinalit-salit ang aking Malayong katauhan.
Sa bawat sibat, sa bawat diin, sa bawat pagwakwak -
Bawat igkas, bawat siklot, ang bawat pagsabog ng apoy
ay tila mga dambuhalang kamay,
nilalamutak ang aking sinapupunan, sinasakmal ang kalamnan.

Huwag nang banggitin pa
ang lunggati ng aking kaluluwa;
Kung totoo ngang
itong kaluluwa ang tanging ikinaiiba
ng babae at ng butas,
o ng lalaki at ng tagdang yari sa Amerika.

IV.

Oo aking anak.
Sasabihan ko kung sino man ang iyong ama.
Oo aking anak.

Sapagkat ikaw ang aking kaluluwa.
Ikaw ang aking pangalan at awit -

Ikaw ang aking kapayapaan!

Sapagkat kapwa kamatayan at paghihiganti ang kapayapaan.
At sa atin, dito sa Samar! Dito sa buong kapuluan!
Higanti ang makatarungang Himagsikan.

Ito ang aking natutuhan. Ito ang ituturo ko sa iyo.
At ito ang ating ibabanyuhay sa buong Samar.


Ito ay tula na isinulat ni Richard Gappi para sa dulang "Samar" ng UP Alay Sining. Nagsimula ang konsepto ng dula mula sa isang tula sa Ingles na isinulat ni Ericson Acosta at isinalin sa Filipino ni Richard Gappi.